BalletBoyz mark 25 years on screen and stage with Garrick performance

A quarter of a century after Michael Nunn and William Trevitt’s critically acclaimed debut performance, pioneering dance company BalletBoyz are returning to the stage.

Their show, Still Pointless, is coming to Lichfield’s Garrick Theatre on 9 June as part of a wider UK tour.

The show will open with an excerpt from Russell Maliphant’s seminal work Critical Mass, performed as part of BalletBoyz’ original show at the Roundhouse back in 2001.

The show will also showcase the world-premiere of a new commission by up-and-coming choreographer Seirian Griffiths.

The evening will feature excerpts of work from the company’s history from choreographers including Christopher Wheeldon, Maxine Doyle, Liam Scarlett, Xie Xin, and Javier de Frutos, and composers Cassie Kinoshi, Keaton Henson, and Max Richter.

A company of 10 world-class dancers, some new and some returning, includes Joshua Attwood, Dan Baines, Paris Fitzpatrick, Seirian Griffiths, JJ James, Dylan Jones, Benji Knapper, Luigi Nardone, Yasset Roldan, and Kai Tomioka.

Artistic directors and BalletBoyz founders Michael Nunn and William Trevitt said: “We are delighted to return as Associate Artists to Sadler’s Wells with Still Pointless.

“Here are some of our favourite thought-provoking, ambitious, and entertaining BalletBoyz moments to celebrate a quarter of a century since we first started (which makes us sound far too old)!

“25 years on we are still relentlessly referred to as ‘the boyz’ even well into our 50s, and we still relentlessly pursue new collaborations, new opportunities, and new ways of producing, presenting, and sharing exciting and moving works of art.

“Still Pointless showcases some of our greatest achievements, and highlights the values with which we approach the next decades of creating.

“Despite the ongoing challenges for touring dance in the UK, we remain committed to our regional audiences, so our week at Sadler’s Wells will be followed by a national tour to 19 regional venues.

“With Still Pointless, we want to underline to our audiences and collaborators that radical ideas are indeed worth pursuing, artistic risks are always worth taking, and culture and creativity most certainly warrants continued investment.”